CD Release "Assemble.Age!"
October 2010
If, Bwana's (the musical pseudonym of Al Margolis) latest release "Assemble.Age!" (Mutable Mustic 17540-2) includes three tracks of performances with Monique Buzzarté: Death to the 8 Notes, Cicada #1 (EHG Version) and Six Minus 6.

CD Release Keep Going: The Music of Elias Tanenbaum
September 2010
Monique Buzzarté's performance of Elias Tanenbaum's trombone, piano, and percussion trio A Bubble in my Eye is featured on Keep Going: The Music of Elias Tanenbaum (Ravello Records RAEL 7807). Keep Going features the chamber and solo works of the late Elias Tanenbaum performed by Ensemble Π and guests Monique Buzzarté (trombone), David Tanenbaum (guitar), and Lawrence Goldman (double bass).

Mouthpiece released on Leonardo Music Journal's CD Companion
December 2009
Mouthpiece (Monique Buzzarté, trombone, Kristin Norderval, voice, and Viv Corringham, voice) is heard as Track 13 of the LMJ19 CD Companion Listening for Music through Community curated by Pauline Oliveros, issued with Leonardo Music Journal Vol. 19, 2009. The Leonardo Music Journal (LMJ) , a print journal published by the MIT Press and edited by Leonardo/the International Society for the Arts, Sciences and Technology, is the annual companion journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series - an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers.

Here Right Now appears in Contemporary Music Review
September 2009
Monique Buzzarté's score Here Right Now, commissioned by the Deep Listening Institute for the Telematic Circle appears in the Contemporary Music Review, Volume 28, Issue 4 & 5 August 2009 issue. (CMR) is a contemporary musicians' journal published by Routledge to provide a forum where new tendencies in music can be discussed in both breadth and depth. Each issue focuses on a specific topic. The main concern of the journal is music today in all its aspects--its techniques of performance and composition, aesthetics, technology and its relationship with other disciplines and currents of thought. The publication also serves as a vehicle to communicate actual musical materials.

MAP Fund Grant
June 2009
Collaborators Monique Buzzarté and Frances White received a 2009 Multi-Arts Production (MAP) Fund - Original New Work in Live Performing Arts Grant to support the development of Tracing, a work for trombone and electronic sound.  This is one of just six projects nationwide in music recognized by the MAP Fund, which supports innovative new works in all disciplines and traditions of the live performing arts. The aim of the Fund is to assist artists who are exploring and challenging the dynamics of contemporary live performance. In contrast to the preservation of existing repertoire, MAP supports those who are creating the art of the present.

The Wire's 2009 Rewind names Fluctuations in their Top 50 Records of the Year
January 2009 
The Wire magazine lists Fluctuations (Monique Buzzarté and Ellen Fullman) as one of their top 50 records of the year. Reviewer Mark Fisher, writing in the May 2008 issue, describes this collaboration: "Merging in and out of Fullman’s overtones, Buzzarté’s trombone – sometimes serene and stately, sometimes wolf-howl mournful – adds abstract colours to the immense, humming backdrop that the LSI generates. Her somber poise is the perfect complement to Fullman’s playing.”

Meet the Composer Selects Buzzarté as a Soloist Champion
March 2008
Funded by a grant from the New York State Music Fund, Soloist Champions was initiated by Meet The Composer to recognize and support performers who have long been at the forefront of championing new music. “Individual performers are the engines of innovation in the new music field,” says MTC President Ed Harsh. “With the Soloist Champions project, Meet The Composer wanted to give eight artists in this key group the resources to amplify their own initiative, to commission composers whose work they believe is rich and powerful.” Eight performers with a long history of commissioning and premiering new music were selected by Meet the Composer; Monique Buzzarté, trombone; Dominic Donato, percussion; Margaret Lancaster, flute; Lisa Moore, piano; Mary Nessinger, soprano; and Todd Reynolds, violin. Monique provided four names of composers she had wanted to commission, and in collaboration with Meet the Composer, Alice Shields was selected to write a new piece for trombone and electronics.