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"The 15 phantasmagoric minutes of Bubble in my Eye ought to win trombonist Monique Buzzarté a place in her instrument's Hall of Fame....This is classical music recorded the way it ought to be..." "...it's the multitracked acoustic instruments – the distant yelps and growls of Buzzarté's trombone, Martelle's twittering flute - that grab the attention, shooting through the dark foliage of strange queasy drones like shafts of late afternoon sunlight....This is strange, haunting, serious music... something best appreciated alone, in a quiet corner of your life." "Merging in and out of Fullman's overtones, Buzzarté's trombone - sometimes serene and stately, sometimes wolf-howl mournful - adds abstract colours to the immense, humming backdrop that the LSI generates. Her somber poise is the perfect complement to Fullman's playing." "At the more daring end of the spectrum was trombonist Monique Buzzarté's Elegy, which used sampling and sound-delay techniques to create a sonic wash of contemplative depth and force." "...an incredible musician who transcends any limitations of her instrument to create a fantastic spectrum of sounds." "Each selection displays a unique ethereal quality and textural complexity....Buzzarté's improvisations throughout the recording showcase not only her creativity but her incredible pitch and dynamic ranges and her extensive palette of tonal colors." Hsiao-Lan Wang, International Alliance for Women in Music Journal, Volume 12, No. 1 (Winter 2006) "...cutting-edge trombonist Monique Buzzarté...is as elegant as it is boundary-pushing. Laptop wizardry transforms Buzzartés horn into a fragmented death knel ....the acoustic in-between spaces play like shapely minimalist chamber work..." |
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